Posted: May 27, 2016 | Author: Donald | Filed under: Uncategorized | Tags: Adam Hirsch, Alan Sharp, Alex Brewer, Angourie Rice, Anthony Bagarozzi, Arthur Penn, Benjamin Brewer, Chinatown, Elijah Wood, Jerry Lewis, Kim Basinger, Kiss Kiss Bang Bang, L.A. Confidential, Leigh Bracket, Lethal Weapon, Lois Smith, Los Angeles Plays Itself, Matt Bomer, Myrna Loy, Nicholas Cage, Night Moves, Rififi, Robert Altman, Robert Benton, Robert Towne, Roman Polanski, Russell Crowe, Ryan Gosling, Shane Black, The King of Comedy, The Late Show, The Long Goodbye, The Nice Guys, The Trust, Who Framed Roger Rabbit | 597 Comments »
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Warning: SPOILERS
The Trust, the new semi-caper film from writers Benjamin Brewer and Adam Hirsch and directed by Alex and Benjamin Brewer, starts out somewhat as a shaggy dog story. Which works rather well since the two central characters, both Las Vegas PD police officers (Nicholas Cage and Elijah Wood), look and act like mutts one might find at an animal shelter, desperate to be adopted before they end up in the incinerator.
The two decide to rob a convenience store after they notice that said store receives regular deliveries, large bags, which disappear inside the premises. In return, nothing comes out; nada; zip; not a thing. So what exactly are the owners hiding inside in that new, state of the art, almost impossible to get into, concrete and steel freezer that is just simply too high end for a mom and pop operation such as it is?
The two decide to go after a pig in a poke and break in and take whatever they can find. And though each have their own personal motivations (Wood’s character Waters is bored and burnt out, and Cage’s character Stone has ideas for the force that go underappreciated), in many ways they really do it for the best of all reasons—they can. Read the rest of this entry »
