Posted: December 13, 2017 | Author: Donald | Filed under: Uncategorized | Tags: Agatha Christie, Albert Finney, Barry Keoghan, Collin Farrell, David Sachet, Efthymis Filippou, Ingrid Bergman, Johnny Depp, Josh Gad, Kenneth Branagh, Michael Green, Murder on the Orient Express, Paul Dehn, Poirot, Sidney Lumley, The Killing of a Sacred Deer, Yorgos Lanthimos | 2,433 Comments »
First, a word from our sponsors: I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
When I saw writer/director Yorgos Lanthimos and writer Efthymis Filippou’s earlier film Dogtooth, I must be honest and say I didn’t have the most favorable reaction and many might consider that odd.
I felt it a rather dated attack on middle class mores that had already been done to death in the 1950’s and 60’s, especially in the off-Broadway theater.
But then I saw The Lobster, their last film, an hysterical satire and social commentary on love and relationships and the society that promotes them.
And now I’ve seen their latest, The Killing of a Sacred Deer, and I realized I was partially right about my earlier analysis because the more I see of their work, the more I realize the turgid social commentary of those decades are not their main influences. Rather, these two artists are the 21st Century embodiment of the existentialist/theater of the absurd practitioners like Beckett, Ionesco, Sartre, Albee and others of that ilk.
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Posted: March 7, 2017 | Author: Donald | Filed under: Uncategorized | Tags: Chris McKay, Dafne Keen, Deadpool, Hugh jackman, James Mangold, Logan, Michael Cera, Michael Green, Patrick Stewart, Ralph Feinnes, Richard E. Grant, Rogue One: A Star Wars Story, Rosario Dawson, Scott Frank, Stephen Merchant, The LEGO Batman Movie, Will Arnett, Zach Galifianakis | 988 Comments »
For questions: hcasner@aol.com
First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
The LEGO Batman Movie is not a sequel to the wonderful, OMG can you still not believe it not only didn’t win Best Animated Feature at the 2014 Oscars, it wasn’t even nominated, The Lego Movie, but, rather, the newest entry in the franchise. For those of you into esoteric movie references, that’s like the difference between Road to Zanzibar and, say, After the Thin Man.
The Lego Movie was a film that wouldn’t stop and carried you along on its ridiculous back never giving you time to think about it. It had something to say about being a drone versus being a child again, but what made it work was the theme being so secondary you might have missed it and not realize (as one politician didn’t) that the main song, Everything is Awesome, was ironic.
The LEGO Batman movie starts out the same way as action, action, action drives the story backed by a great deal of wit and cleverness. And the opening scenes suggest a movie with all the positives and pleasures of the first one.
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