‘S WONDERFUL! ‘S MARVELOUS! ‘S OKAY: Movie Review of La La Land by Howard Casner

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Warning: SPOILERS

rev-1La La Land, the new musical about aspiring Angelenos, opens on a wintry 84 degree day in stalled bumper to bumper traffic on an L.A. freeway.

So, of course, to pass the time, everyone begins to sing and dance. And it’s absolutely wonderful, a marvelous moment of agile bodies twisting and turning, on car roofs and cement barriers, as the camera glides around and amongst them, as if carried by a graceful wind.

The basic story revolves around aspiring actress Mia (spunky Emma Stone, if that’s not redundant) and aspiring jazz pianist Sebastian (Ryan Gosling, perhaps the cinema’s best representative of metrosexuality), an artist so pure he refuses to join a music group because he wants to open his own club where he can play jazz the way he wants, not the way someone else wants him to.

They have trouble meeting cute, and once they do and romance blooms, they have trouble breaking up. Read the rest of this entry »


AND THE RHYTHM OF LIFE IS A POWERFUL BEAT: Movie review of Whiplash by Howard Casner

First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

Warning: SPOILERS

whiplashJerome Robbins was one of the greatest choreographers and director in theater. But he was almost universally hated and it’s hard to find anyone who had a nice thing to say about him. There is one story, probably apocryphal, which sums up this feeling about the grand master: during West Side Story, he was slowly backing up toward the apron; everyone was so angry at him, they didn’t try to stop him and just watched him go off the edge of the stage.

On the other hand, Bob Fosse, at least equally as brilliant (possibly more), though a tough taskmaster, was universally loved. Even his ex-wives and lovers tended not to wax rapturously about the negative aspects of his personality.

Yet both, through different approaches, achieved wondrous things with their actors and dancers.

I thought of this as I was watching the new film Whiplash, written and directed by Damien Chazelle, a story about Fletcher, a tyrannical conductor and teacher of jazz at what the story contends is the greatest music school in the U.S. (Julliard is chopped liver, I suppose) and his new victim, I mean, pupil/discovery, Andrew, someone Fletcher thinks, through his Stalinesque methods, can be turned into a drummer on the level of Charlie Parker. Read the rest of this entry »